Over a recent school break my family and I went on a trip to Shekhawati, a region in North-west Rajasthan, and the place left such an impression on me I couldn’t stop talking about it for days. Shekhawati is a place known for its many beautiful havelis, or ornate mansions built around courtyards constructed by the affluent Marwari merchants between 1800 and 1930.
I’ve always been attracted to the Indian havelis found in Old Delhi, as they remind me very much of the hutong courtyards of Old Beijing: both types of architectures are traditional housing built around communal courtyards and found in older neighborhoods behind nondescript alleyways. But in Shekhawati, which is nicknamed the “open art gallery of Rajasthan,” the Marwari merchants’ havelis offer something more—not only are they much more concentrated in numbers in this region, they are also more opulent and extravagant in designs, many often intricately carved and painted with colorful frescos depicting historical or mythical themes. They opened up to me a rich legacy of a group of capable and wealthy merchants that in many ways echoed that of the Shanxi merchants of northern China.
We stumbled upon Shekhawati quite by accident, after making a last minute booking at The Piramal Haveli near Jhunjhunu, Rajasthan. The quiet, very spacious haveli hotel built in 1920s around two courtyards with very green pillared corridors soon whetted our appetite of wanting to explore more, after realizing the region is filled with similar havelis that were built even earlier than the Piramal.
We were told the region was once on a caravan route, which was what made many Marwaris living in the small towns of this region wealthy. Although after 1820, many merchants left their families behind in search of better business opportunities elsewhere in the country, they continued to send money back to erect lavish buildings in Shekhawati, their homeland, as evidence of their success. However, many of these havelis have now been left idle, after extended families of the Marwaris moved away en masse to join them in their new homes beginning in the 1930s, leaving the beautiful relics behind for accidental tourists such as us to ponder their past.
In the course of two, three days, in our search of these historical relics, we drove from Jhunjhunu to Mandawa, from Mukundgarh to Fatehpur, before ending in Ramgarh. Along the way we saw some magnificent, sometimes huge (double or triple-storied) havelis, as well as other smaller mansions that are equally beautiful and awe-inspiring.
As we toured these historical buildings, most of which accessible to anyone expressing an interest to go inside for a quick look, I couldn’t help drawing a mental comparison between these architectural wonders and some of the fortress-like courtyard compounds I came across in the historical town of Pingyao in China’s Shanxi Province—the Wang Family Courtyard Compound and the Qiao Family Courtyard Compound, to name a few—which were built about half a century earlier than the Shekhawati havelis. (Most of the Shanxi grand compounds were built between 1750s and 1820s.) Among them the Qiao Family Courtyard is particularly famous, made known to the world by director Zhang Yimou’s film “Raise the Red Lantern.”
The Wang and Qiao families were two of four, five very influential business families from Shanxi who were both merchants and government officials serving Emperor Qianlong (1711-1799). Like the Marwari merchants, some of the earlier Shanxi merchants started from very humble backgrounds, building their business empires from commodities as modest as tofu. Shanxi was a densely populated province, and many merchants learned to leave their hometown early on to travel afar to gain a living, their footprints reaching as far as Inner Mongolia, Russia, Japan and Southeast Asia. When a policy required merchants to help procure and transport food supplies for the Ming and Qing imperial families, the enterprising Shanxi merchants jumped at the opportunity, and flourished as a result.
As their businesses became more and more successful and their influences reaching far and wide at the imperial court, they began building their lavish compounds to boast their accomplishments. The Shanxi merchants’ grand compound constructions, which can sometimes contain close to a thousand rooms built around thirty, forty courtyards, are often much larger in scale than the havelis you see in Shekhawati, making them closer to being fortresses than mere buildings. Perhaps because the focus of these enormous manors was more on scale, these compounds also tend to be much less ornate or elaborately decorated than their Indian counterparts.
Yet what the Marwari merchants and the Shanxi merchants both had in common, at least to me, was their human needs to bring home the glory by building lavish compounds and mansions for their families and extended families. They say the Indians and Chinese are both very family oriented peoples. Maybe it is this parallel and the opulent compounds they built that made me see the connection between these two groups of merchants.
Then again, people are people. As my husband said, both the Indians and the Chinese are not very subtle peoples. So when they are successful, they see the need to brag about it. Perhaps as people, the Indians and the Chinese are really not that different at heart.


